Blanche’s Reality

 

Steven Lingerfelt

3/22/23

English 102                                                                                                    

Professor Brady          

Blanche’s Reality

 

            In the play “A Streetcar Named Desire” by Tennessee Williams, many motifs and symbolism’s are used in order to describe what a character is feeling without directly stating it. These symbols, such as Blanche’s paper lamp or the actual streetcar called Desire are later expanded upon as the story continues to describe the inner workings of her mind. Williams also uses the motif of Illusion vs. Reality, which Blanche struggles with from the very first chapter. Using a combination of symbols and motifs to describe Blanche tells the reader that she suffers greatly from the life she lived and the illusion of a life she continues to live. Ultimately it is the unwillingness to go along with her lies that pushed her to the final solution of institutionalizing her.

 

            As previously mentioned, the paper lamp and the streetcar named Desire are both symbols used to describe Blanche. The paper lamp is a stark white color against the interior of Stella and Stanleys home, it is put up by Blanche shortly after she arrives. This lamp is mentioned one final time before Blanche is taken away by the nurses, by Stanley who asks “unless it’s the paper lantern you want to take with you. You want the lantern?”(Stanley Act 11) as if she’s a child having a temper tantrum if she would like it back. This lamp and its white color represent Blanches upper echelon way of thinking as well as her perceived purity. The color white is extensively used to represent this idea of purity in Blanche.

 

The streetcar named Desire that Blanche rides into town is also a major symbol of Blanches intents. It represents the physical and emotional journey that Blanche has been on but also her intents in this new town. Blanches own desires are the reason that she is in the situation she is in. Polka music is also used by Williams as a symbol for Blanche’s mental breakdown throughout the story. Polka music comes from the country of Poland which is Stanley’s nationality, giving it a direct connection to him. The music however is not used solely for Blanche’s interactions with Stanley, it is instead used for anytime that Blanche is undergoing stress. As the story progresses however and Stanley eventually rapes Blanche this music is used one last time to show her total mental breakdown and also foreshadow the further trauma to come.

 

Illusion vs. Reality is the main motif of “A Streetcar Named Desire.” Blanche struggles throughout the story telling lies and omitting the truth of her situation. Its only after Blanche is abused and pushed to her breaking point that she even begins to open up about her trauma, but of course, she omits the whole truth and only uses these experiences to further disillusion those around her. When Blanche is finally telling the truth of Stanley’s rape, no one believes her due to her inability to tell the truth previously. The lies however were not meant for them it was meant for Blanche herself as a way of escaping her life. Blanche needed the people around her to go along with or fall for her lies but instead she met the one person who refused to play along, Stanley. Stanley actively goes out of his way to inform others that he is onto her lies, like in scene two when he tells Stella “Open your eyes to this stuff! You think she got them out of a teacher pay?” (Stanley Scene 2) after he began rummaging through Blanche’s travel trunk.

           

            Blanche lived her lie so well she was able to convince herself that the previous misfortunes of her life were just the result of bad luck, not her incessant need for attention from men. This concept of living a lie so well that you cannot distinguish it from reality is best described in Jean Baudrillard’s book “Simulacra and Simulation”. Jean’s book was released in 1981, at the height of the cold war when propaganda and lying governments ran rampant throughout the globe unchecked. Jean felt the need to write this book in order to help teach the masses about the connection of symbolism, reality, and illusion in the shaping of how we perceive the real world. “A Streetcar Named Desire” is a perfect example of what Jean writes about, he says “it is dangerous to unmask images, since they dissimulate the fact that there is nothing behind them.”(Simulacra and Simulation). This quote exemplifies the idea that Blanche was not only living a lie but was nothing without the lies she told.

 

            In conclusion, had Blanche been able to tell the truth of her situation and not hide from who she is Stella may have been able to help her. Because of the lies that she told, when the time came for her to tell the truth no one could discern what was real or not anymore. Blanche struggled following the death of her first husband, but one has to wonder if she had always been like this. Blanche seemingly had genuine problems with confronting her past and by living the lies she did Blanche exacerbated the stresses in her life. This combined with her poor coping mechanisms tell a story of genuine mental illness combined with her relative intelligence. If Blanche had been able to better separate fiction from reality in her own mind she would have been able to manipulate those around her for as long as she needed. But because Blanche was caught time and time again in lies no one could believe her.

 

Cited Works

Baudrillard, Jean, and translated by Sheila Faria Glaser. Simulacra and Simulation.

Williams, Tennessee. A Streetcar Named Desire.